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Destiny

by webbster

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1.
SECRETS ON MY PILLOW Secrets on my pillow are the currency of love The things that can't be said in daily conversation Like coins in a fountain and hearts longing for a home Secrets hold an answer for all who feel alone. Secrets on my pillow are passports to release Borders crossed in anger are crossed again in peace. Like ripples in a fountain spreading wishes from the heart Secrets hold the pieces for every broken part. Secrets on my pillow are my tickets to ride An unknown destination my lover by my side. Like splashes in a fountain, and hopes whispered under breath Secrets turn to nothing when nothing's left but death. (with mild apologies to Julie Styne and Sammy Cahn, for the vague references to "Three Coins In A Fountain") May 2015
2.
Drive On 06:05
DRIVE ON Riding along to the end of my road, dreaming as I drove, of the beginning When the unborn me swam in the soft embrace of the water of life. Steering a path through the ruts in my dreams and choosing a path round the potholes I fought with the wheel to stay on the road and find the address where my future still waits. Yet try as I might I can't recall the details of those early years Of the stories I built to hide the truth of my unhappy launch into life. As darkness fell, and the road passed beneath I spotted an odd looking house The windows were shuttered, the garden a mess but something said go on, there's nothing to lose. So on up the drive I went, knocked on the door And waited for something to happen and After a while, the door opened slowly; an old Figure appeared I knew but couldn't name. I stuttered my greeting, he listened so quiet, And when I had finished he beckoned me close Fainter than a whisper, louder than silence, He said . . . . . drive on, drive on, drive on, drive on, drive on. March 2017
3.
Wait And See 04:47
WAIT AND SEE I tried so hard to make it right I wanted it to work I needed instant outcomes But all she said was Wait and see It wasn't like I wanted much But time was running out. An answer would have done it But all I heard was Wait and see The problem wasn't hard to see The answer not so clear Talking would be a start But then she'd have to Wait and see. And in this game of wait and see. She finally agreed To try and see through my eyes She asked if we could start again. And all I could say All I could say All I could say was Wait and see. November 2014
4.
WHAT BROUGHT US TO THIS PLACE? I see it in your eyes, hear it in your voice, feel it in your anger. That angry, angry quiet question: what brought you to this place? You diggers, You fellers, You trappers, Converters, You charlatans What have you come here for? What will you do to get it? You see it in my eyes, hear it in my voice, feel it in my anger. I have my own angry questions: what brought us to this place? We diggers, We fellers, We trappers, Converters, We charlatans What have we come here for? What are we going to do about it? May 2003
5.
Solitary Man 04:53
SOLITARY MAN A solitary man with the world on his shoulders Paints solitary thoughts on the canvas of his life. A solitary man with no thought of how he got here Drinks multiple volumes from his ever empty cup. The rustle of the leaves falling on the crimson carpet, The changing of the season bringing hope to the world. My hope is that he hears or sees the coming of the Fall, The season's change, dropping leaves in the new book. A solitary man with all the right moves Is lost in the flaws of his own perfection. A solitary man with no plan for where he's going Gets lost in his thoughts with no one else to care. My hope is that he hears or sees the coming of the Fall, The season's change, dropping leaves in the new book. A solitary man bears the world on his shoulders, Paints solitary thoughts as a record of his days. My hope is that he hears or sees the coming of the Fall, The season's change, dropping leaves in the new book. September 2014
6.
AFTER THE BEGUINE It's not the life they imagined when they began the beguine. First holy women, then white ones, then in Paris a dance for slow fun Now Hustle, Hard, and House, we dance to make the scene; Keep up with the beat, be part of the crowd, and not get lost in between. And so it goes in this crazy, crazy world; Election hopefuls hit the screen Keeping one eye on the left, the other on the right, To not get caught in the space between. So don't let them, don't let them begin the beguine Until you know which story you're in. Write the lyric, play the tune, Sing your song; then begin the beguine. How could we know what heaven this is When all around us, all around us hell is routine. So ignore borders, forget the hate, let go the anger And let's not be caught, let's not be caught 'til after the beguine, after the beguine. February 2017
7.
THE FIFTH ELEMENT Earth . . . . Water . . . . Fire . . . . Air Farm the earth until it cannot bear fruit; sell the water 'til it turns to blood; Stoke the fire until it burns the woodland; breathe the air until there is no more. What we are missing is a fifth element that helps us all work together; That pulls the other four as one; that makes us think of one another; That forces those with power to give some up. That fifth element . . . . . . is Respect. Respect is the fifth element. Respect for one another; Respect for things we don't understand; Respect for those who are different; Respect for those with other beliefs; Respect for things we don't understand; Respect for those who are different; Respect for those with other beliefs; And respect for those who have less. Respect for the earth; Respect for the water; Respect for the fire; Respect for the air. Respect . . . . . . . . the fifth element. The fifth element; Respect. December 2017
8.
REQUIEM FOR SHARON Black . . . . . mostly white band Dreads . . . . not after chemo Energy . . . . . just can't land Movement . . . . . until the end. When the music ended and the curtain came down Where did you go? What did you leave? Groove . . . . . . yes it's deep Soul . . . . . . . it's still alive James Brown . . . . . . . . don't you weep Horns blow . . . . . . . . good jump 'n jive We're bound for one last stop, all caught in one destiny The cards are dealt; now our hands to play. My hand . . . . . . . not perfect Your hand . . . . . . . cancer Both hands . . . . . . . . we played late But yours . . . . . . . takes the pot When the music ended and the curtain came down Where did you go? What did you leave? Where did you go? What did you take? February 2017
9.
LOVE ON THE HIGHWAY The band was playing tough, tight like a ready slingshot. And the guys at the bar were talking rough; the women dancing, temptingly hot. Like love on the highway; was it meant to last? Like love on the highway; was it just too fast? Politicians say anything, hustling . . . . . as if we all have ears For the promises of nothing or their sad attempts to shame their peers Like love on the highway; were they meant to last? Like love on the highway; are they just too fast? Businessmen exchange consolidated plans To widen the gap and strengthen their hands; and The guys at the bar with sorrows to drown With women who dance until the next shutdown. Like love on the highway; are they going to last? Like love on the highway; will they fail as fast? Like love on the highway; like love on the highway The band is done and medicated while some girls wait in the doorway And the guys at the bar are wasted: no love tonight on the highway. No love tonight on the highway. Like love on the highway. Love on the highway March 2016
10.
ISN’T THAT COOL? I’m a little older than you And I know lots of things you don’t. And one of them is that you know More and more and more than I do. Isn’t that cool!? I'm a little wiser than you And I've seen lots of things you haven't, yet And one of them is that you see More and more and more than I can. Isn’t that cool!? Young people these days are not like in my day That's the message we heard, the one we passed on But poverty and war are the crops we have sown. And young folk these days are the seeds of our hope. I'm a little happier than you For I'll be gone before too long And I'm a little sadder than you For I won't see what you do No I won't see what you do, but . . . . . . . . Isn’t that cool!? October 2014
11.
BOUND FOR OBLIVION I see you, I hear you, I sense you, even touch you Who are you, where did you come from? You're everywhere, you're legion You seek food, beg a fare You live in mud, dust, in shadows, cold You sidewalk sleep, grateful for the central heating on the downtown floor. And we; do we even touch our senses? Do we know who we are, and where we're going? It's me and you, it's us and them; it's House & Garden, it's tarp and park. Who are you? Where did you come from? Who am I? Where am I going? You empty your life on the counter; old tickets, past trips, none for the future; Worn business cards; are you longing to belong? You bump me, an accident and you say sorry! But server more concerned about me, as if you don't exist. It's me and you, it's us and them; it's House & Garden, it's tarp and park. And Who are you? Where did you come from; who are we? Where are we all going? We're bound for the end of the line! We're bound for the last stop! We're bound for journey's end! We're bound for oblivion! December 2013

about

I get lots of people saying they like my music. Makes me happy but there's nothing particularly unusual about the notion of compliments. And there are people who don't like it too; again, nothing unusual about that; it's the way it should be. I get people telling me it's current and has a now vibe; that's good! I write about things in this life which need highlighting: politics, the environment, attitudes with some stories from my life thrown in. Again, nothing unusual in that. But what maybe is a little different is that while this is my first CD under my name - well, webbster which has been my name in the past and is now revived - the truth is I am 72. Hard as it is for me to wrap my head around, it is still true.

I was in a band in the UK when I was 18 - yes, that would be 1964 when the popular music world was now lurching towards what we see now. Years of musical activity interspersed with much greater musical inactivity brought me to about 15 years ago when a friend told me about of musical "jam club" which I promptly joined. Back into music of sorts, slowly the thought of putting out my own music grew until four years ago when I couldn't resist the temptation and my self-confidence was enough to stop writing songs and promptly tear them up!! I put out a self-produced 4-track EP, "Passing Through", on my 70th birthday and have been working hard ever since to get "Destiny" out of my hands. Here it is!! Hooray!!

credits

released October 1, 2018

All instruments, recording, computer noodling, and mixing, and self-distraction by webbster
All compositions, and jewel case and booklet layout, and yet more self-distraction by Larry Webb
Mastered by Jeff Elliot and CD fabrication by Indie Pool, Toronto
Produced between January 2017 and June 2018 in Corktown, Toronto – it’s a miracle!

Eric St-Laurent, Bob Bryden, Asher Minden-Webb, Allan Briesmaster,
Marc Lewis, Joe Freedman, and my lovely partner Eriko Miyazawa
– all these fine folk provided me with support, advice, or attention
enhancing materials to make this project possible!

A big “thank you” to all and to many others unnamed.

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about

webbster Toronto, Ontario

I was in a band in the UK when I was 18 - that would be 1964 when popular music that we see now was getting going strong. Subsequent years of musical inactivity ended 15 years ago and the idea of putting out my own music grew. Four years ago I put out a 4-track EP, "Passing Through", on my 70th birthday and have been working hard ever since to get "Destiny" out of my hands. Here it is!! ... more

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